Jun 182010
 

Lord Finesse is in rap and production top ten. Everyone from Big L to Jay-Z to Lloyd Banks took bigger chunks out of his style. The finest similes and metaphors, wrapped together hard. Line after line punched to your brain. Besides the battle raps… he dropped game, told stories, kicked knowledge, and freestyled his ass off.

S.K.I.T.S. is an all time favorite message rap, as well as an all time favorite beat. Of all the ill producers in D.I.T.C., Finesse was probably the sharpest.

http://rapidshare.com/files/320664458/Lord_Finesse-Rare_Selections_EP_Vol._3-Vinyl-2008-FTD.zip

Now… tell me – is he coming with a new album?

Jun 122010
 

Complex: Why do you take that approach? Most of your songs aren’t available for download. There’s a song here, a song there. You have a random 250-song mixtape. It’s chaotic and there’s no order to it.

That’s true. And perhaps that’s the way to go, these days.

Most of this revolutionary rapper’s material is just not very good, though. But some is incredible.

Get his five best tracks here.

Jun 012010
 

Marq Spekt‘s The Shoplifter was one of my favorite songs back when I was listening to Company Flow type material every day of the week. Released in 2001 (yeah I know… but that’s technitalities; musically this is the 90s New York underground in its very purest form) on Sub Verse Music – the label that Bigg Jus created (and which in all honesty did not meet the same success as Def Jux (well, on the other hand we didn’t have to bear with Jus making Trent Reznor music), even though an initial rooster included Blackalicious, Rubberroom, C-Ray Walz, and MF Doom) after Company Flow disbanded  – this song is lyrical PCP. Find one single on El-P’s label that won’t get fucked up by The Shoplifter, I dare you.

The other songs on the 12″ stand on their own, Liquid Smoke and No Dessert Til You Finish Your Vegetables being fine examples of the sound of the era. But The Shoplifter made me come back a decade later. With the most basic kick, snare and hi-hat, and a simple, hypnotic, distorted piano-loop, a sinister atmosphere is established. Bad shit seem to happen in the background. It’s a sound that continues from Havoc’s gloom on The Infamous, from before where RZA went digital.

But the vocals make the track. The beat is really just a backing for Marq Spekt making your eyes pop out. Not that generic stuff. Only the most graphic street venom. Rakim, Kool Keith, 4th Chamber type material. “Drop my gloves and hold the mic with chopsticks / Yo, how you you gonna protect your neck when you’s an ostrich / I’m a hostage in an apocalyptic cockpit.” A minute later: “You playing yourself like paying for sex / Incorrect studying steps / And you can catch me carving crop circles in your chest“. This record has that live feeling which we love, and can’t live without. Rap this dusty is no more.

Marq Spekt – The Shoplifter

May 292010
 

I’ve digged deep down in the old harddrives for the following tracks.

Edo 8 was copied from Goto80 some years ago, along with a bunch of other nasty electro.

You can read up on Silicon Scally here.

Lory D, the only noteworthy Italian artist I know of, has released rather filthy roots Techno on Rephlex, but Bluff City is a certified Electro banger, with just a lil’ twist of Acid.

The last two tracks have followed me ever since I starting listening to electronic music. The 12” that my mp3:s were copied from what seems to be Imperial Stormtroopers‘ only release. It’s nasty, full-on hardcore electro.

Edo 8 – Squawk

Edo 8 – Micropacer 2

Silicon Scally – The Silent Years

Lory D – Bluff City

Imperial Stormtroopers – Crystal Ice

Imperial Stormtroopers – Panic Button

In related news, check out this vocoder-themed mix. The vocoder-themed book seems to be intresting, too.

May 272010
 

I know what’s wrong. I know why you’re hurting, baby.

You’re missing electro, right? Me too. Urban life is not the same without the original urban dance music. But the kids don’t wanna hear it. Nobody cares no more. In the late 90s to the early 00s you had that electro revival, with Miss Kittin & The Hacker, Anthony Rother and Adult releasing fine material, and American renegades like DJ Assault and Drexciya upgrading and perfecting the formula for electronic Funk. Some championed a traditional approach, others tended to mix it up with punk aesthetics, giving birth to the electro-clash, electro-punk styles. Well, those style had bastard kids. Obnoxious, deformed critters, who outlived their parents. Nowadays when you see “electro” written on a flyer, get ready to get disappointed. Usually we’re talking talentless indie rock groups that got a drum machine for christmas, or some sad Ed Banger-clones with questionable facial hair and way too tight jeans.

Well, let’s try to block out all that for the moment. Here below we got some thick 808 drums, some harsh basslines, and beautifully cold atmospheres. I hope there’s something you haven’t heard before. (Also, if you’d like to… go take a listen to my own humble attempts at electro here).

Blackploid – Photographic Photogenic

Blackploid – Mystery Speaker

E.R.P. – Vox Automaton

The Hacker – Masterplan f. Miss Kittin

The Hacker – Electronic Snowflakes

I’m planning to post more heavy slaps soon, so stay tuned…

Nov 152009
 

B000F7CLLO

The two songs I’m posting below is all you need to understand why Tim Maia is better than Jorge Ben.

In truth, there are days for both. It’s like comparing Tupac Shakur and Rakim Allah. Jorge Ben and Rakim being the great architechts, while Tim Maia and Tupac Shakur were without comparison, bleeding on the microphone with pure iconic soul power. Bigger than life. Their light shone far into the dark corners of the world.

Tim Maia packed many styles, and this time we find him on his Otis Redding shit, like a force of nature, unstoppable, untoppable, unfuckwithable. Tim Maia was also the preffered taste of the Brazil’s finest rap group, who sampled Ela Partiu for one of the deepest storytelling tracks ever.

Tim Maia – Ela Partiu

Tim Maia – Eu Amo Voce

Sep 132009
 

Out of the Midwest badlands of Gary, Indiana, Freddie Gibbs brings us the best from three coasts, spinning street tales and spitting game with the skills of a New York battle rapper and the laidback flow of a Californian. And that’s over chopped up soul samples a la Just Blaze or that dirty south John Carpenter funk (Murda On My Mind!).

This tape does not disappoint.

freddie-gibbs-midwestgangstaboxframecadillacmuzik-hi-res-cover-540x540

Jul 162009
 

CormegaTheTestament

Out of all the vicious beef tracks ever recorded, Never Personal hits me the hardest. When Mega Montana is going for the throat – it’s over. The competition can go home. His combination of advanced microphone mathematics and undilluted street venom makes him unbeatable. Especially when it’s over what sounds like a leftover from The Infamous-sessions. And there’s an open, honest quality to it that makes it even more powerful. Contrary to the title, this time it seems to have been personal.

Cormega – Never Personal (Fuck Nas and Nature)

This was recorded after his fall-out with Nas, following industry problems related to their work with The Firm. (An older Cormega gives his side of the situation here). The beef is squashed, but these tracks stand as testament to Cory’s status as one of the most ferocious rhyme spitters ever.

Cormega f. Foxxxy Brown – Never Personal Part 2

Cormega – Live In The Spot

Part 2 is more of the same. Foxxxy Brown goes in against Nasir, showing the world who’s the best female who done it (next to Rah Digga and The Lady Of Rage, naturally). I took these two from the J-Love tape along with a live clip of Mega dissing Nas using his own song titles. It’s pretty clever, if you ask me. And yes – sorry about the sound quality.


Jul 072009
 

“… I’m pure New York, got train tracks inside me…

Blaq Poet Don’t Give A Fuccc!”

The hardest track out this year. While half of New York is busy trying to sound like the South, the other half is trying to emulate the mid-nineties. But while they are looking to the past, Poet is doing what he always does. He is bringing the hardcore with renewed energy. I missed this kind of aggressiveness in rap music today.

Not the most innovative album ever, The Blaqprint still hits you as hard as anything from the golden era of harcore New York. Apart from some filler guest raps, it is packed with Primo-produced bangers like the one posted above. Some posters claim that the production is subpar, that DJ Premier has fallen off, that he needs to update his drums. That is not true. S.O.S. and U Phucc’d Up and Never Goodbye and Hood Crazy and especially the chilling Voices shows you why.

It is a shame and a testament to the sad state of music that you will not hear anything from this played on the radio or in the club. It is not even fair, I mean, Blaq Poet went out of his way, I mean really stretched his format to make a hot club track. Perhaps he shouldn’t have named it Stretch Marks & Cigarette Burns.

blaq_poet-street_phixr

“You aint heard this type shit in a very long time…”

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