Force Tracks releases the ideal meditative urban music. While ambient, drone, noise is the typical soundtrack for sinking into the void of contemplative nothingness, the dubbed-out tech-house and digital disco that Force Tracks has specialized in means meditation in movement, it means contemplating when moving through squares, stores, parks, crowds in streets, it means the increased perception of the urban landscape when riding buses and trains with headphones. House music, generally bouncing along at around 120 bpm (which equals the heart rate of an excited human body), becomes the city’s pulse.
This is not the same landscape as in the futuristic, industrial decay of Detroit, nor the deep bunker dubs of Basic Channel. This is not the wastelands. It is more affirmative than critical in relation to the modern urban landscape. That comes from a technological paradigm, from the fact that we are listening to laptop-techno, dance music that puts the best elements from IDM and glitch upon a finely mechanized funk; the analog assassins have grown up. The Birth Of New Life has become adult. Some days that feels like a good thing.
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